剧情简介
谢云韵轻拍着她的背哄她说：奶也半年多没见熙寒了可这么办呢草丫咱们除了在家里等着他回家其他什么都做不了许草丫吸了吸鼻子转过身子用手帕擦了擦脸上的泪水接...许草丫把自己手上的伞给收了起来和顾熙美两人共撑一把伞在人群外等了四五分钟才终于见到了招工名单她眼睛盯着招工名单的上面,顾熙美盯着招工名单的下面,在四五十个名单中寻找着出版社连... 详情
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骸厮混
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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